Lighting and colour can be used to create a certain atmosphere or mood
and can even be used symbolically.
Certainly directors are aware of
the power of cultural connotations - for example if I say WHITE? - what associations immediately come to mind…
or RED?
Certain genres use colour more
obviously than others and you have probably already noticed colours used
in sci-fi? Horror?
Filmmakers use colour and lighting
effects to make audiences well aware of the kind of film they are watching and
when teaching your students the basics of film language, here’s what you need
to know about lighting effects:
•The basic organisation of lighting looks like this:
The KEY LIGHT is the term for a
powerful light that casts sharp, black shadows behind the things it
illuminates. It’s the main source of light in a scene.
FILL LIGHTS can be used to soften
these shadows and basically fill
them in. More
or less of these will be used depending on whether images are to be sharp or
soft.
If people or objects are lit from
behind it makes them stand out from the background and they become more
prominent. Underlighting
(from below) and toplighting
create different kinds of shadow.
There are two main ways of
describing the use of these lights -
HIGH KEY LIGHTING - means the use a
lots of fill lights along with the key lights so everything is brightly lit and
there are few shadows. This is the style you would expect in romantic comedies,
youth pictures, the colour you’d expect from a glossy Hollywood film.
LOW KEY LIGHTING - uses fewer
fills, so more shadows are created with definite pools of light interspersed -
you might associate this with horror films and is the style of lighting
associated with film noir.
No comments:
Post a Comment